July – August 2019

It looks like things have been quiet here, but that is not the case. Unfortunately ‘Shinrin’ isn’t through to the ‘Landscape prize exhibition’ but, in truth, it doesn’t really speak of ‘British’ landscape so I am not surprised. I think Hubby is more disappointed than I am. My main task in recent weeks, has been completing my M.A. application and producing a portfolio. I am working on updating the Lowforce website and …. just for a sense of completeness – now that Foundation assessment has been done – I have been mounting projects other than FMP on this blog. It has been an interesting reflective exercise but, I have tried to keep the posting true to the thoughts, experiences and feelings that prevailed at the time the work was done rather than to compose with an ‘editorial’ hindsight. Mainly, I have just posted images from sketchbooks and added extra bits here or there from my written journals and notes. I can now use this ‘back story’ to compile a blog index for my portfolio which, as soon as I got the prints back, I immediately wanted to do again ….. BETTER! I am happy with it as a first ‘edition’ though. I used ‘Newspaper Club’ …..


and was very happy with the service – REALLY QUICK- even though there have been mixed reviews from other people who have recent experience of using the platform ie doing ‘zines’ for FMP. Speak as you find! Anyway, I ordered bright and newsprint versions to compare (preferring the former, now that they have arrived). …. too expensive to amend and order new ‘brights’ right now so my second edition can evolve over time. (Polite way of remarking upon the fact Hubby is now (again!!!) 2 months behind in getting paid!) I chose this format – newspaper with a sort of journalistic thread throughout the text – as an alternative to a traditional A1/2 portfolio with work in, mainly because my practice has become a thing of three dimensional proportions and I think a book of pictures of those things looks, in itself, like an attempt at a photographic portfolio and that is not what I am trying to present – I am not a photographer! It is a really interesting expressive exercise I am finding. The newspaper format, I hope, suggests ‘this is about Christine’s practice’ rather than ‘this is Christine’s work’????

One improvement would be such an index as I mentioned above! While I am working out exactly how do make that a useful tool, I have made some category and blog tag suggestions about where to access posts relating to the portfolio spreads pictured below ……. it is a work in progress! The first edition can be downloaded/viewed from the link at the bottom NB it’s in a tabloid format.

CATEGORY FMP/Shinrin Yoku: #FMP #Shinrin Yoku #Arts in Health #sublime
# Barcelona #minimalism #collagraphy #plaster #cement #concrete #printmaking
#Boyce #Penone #Gallaccio #Cambin #Takamatsu #Casey #Weiwei
Back cover includes works that can be found at

The Patron’s Legacy

Download the project presentation

‘A Melancholic World’


Preparing for the exhibition ‘Keswick Film Festival 2019’

The Patron’s Legacy: Links, decisions and research.

Poorly, and from the comfort of the sick-bed (settee), last October: I began the ‘Patron’s Legacy’ project by watching all of the films back to back – twice. That got past being distracted by ‘plot, narrative, characterisation, script, redundancy etc …….. (I love film analysis). As my husband often says “Can you not just bl**dy watch the film?!!!” This allowed me to pick two films to concentrate upon visually – they would be ‘Tinker Tailor Soldier Spy’ (2012) and ‘Scandal’ (1989). I was drawn to the latter because the story has a rather odd personal resonance – I was Christened ‘Christine’ right at the height of the Profumo affair being in the news and apparently, my Grandparents (as featured in ‘Ars Moriendi’) were absolutely horrified. They couldn’t believe that my Mum and Dad would even think it was an appropriate name at the time. I was their first grandchild AND the first not to be named following family tradition and to choose such a sullied name with which to break the pattern was ‘just not right’. The former film appealed because of all the technical stuff …. NO redundancy, complex and engaging, beautifully filmed…..

I saw links and connections between the two films. Both reference espionage, they refer to a similar period of time politically etc but more hidden are little links like the bees. Mendel’s beekeeping in TTSS and the escaped bee that goes with him, Smiley and Guillam in the car, linking with the infamous ‘bee jar’ in the orgy scene in Scandal. There is the ‘Witchcraft’ Sinatra theme in Scandal that links with the ‘Witchcraft’ code name in TTSS. Plus in the TTSS script there are nods…’There’s too much scandal in here’ …. Then of course there is this.

Ubiquitous blue cup. TTSS and Christine K. & Police Officers drink out of them during her interview in the police station.

I sat down to watch these two films again with a sketch book, to discover what might catch my eye in a purely visually responsive way… as PT says ‘Notice what you notice’. Overwhelmingly, TTSS won the day!

I began to analyse it in visual detail and to do secondary research, reading interviews and articles with Alfredson, Hoytema and Djurkovic as well as studying film criticisms relating to the movie. This extended through the second part of Autumn term.

Research TTSS
Research TTSS -some Scandal too.

Over the Christmas break, when the brief was ‘revived’, I began to make detailed studies

An idea was forming that I would like to build an installation/sculpture as a tribute to the cinematography …. to explore perspective, angle, framing, structure, layered windows, etc and the claustrophobic feel of the internal and external ‘architecture’ of the film.

I would build it out of heather honey-comb bee hive boxes (of which I had a mountain in my loft) and create walls, filing stacks, windows, corridors etc. with a layout based around the chess theme in the film. It would consume an 8x8x8(honey box) cubic volume and I would attempt to balance positive and negative space within that. Some boxes would be ‘blocked’ by fillers that I derived from the colour palette, fabrics, artwork and interior design textures from the film. As the installation took shape I had to consider what to present it on and the left over, ribbed perspex from making ‘Neuroimagining’ came to mind. As soon as I placed the elements of the installation -‘Circus’ – on the board, the possibility of mood lighting it and taking photographs came to mind.

For the festival next month I now intend to present the ‘Circus’ installation, a set of photographs and an interpretive curatorial video called ‘A Melancholic World.’

The Patron’s Legacy

Half term: thankfully, a ‘restful’ homework project … watch a load of John Hurt movies and pick a couple to respond to creatively in any way you wish. Thankfully ‘restful’ because I have got ill. The intensity of the last few weeks has dissipated and lurgy has taken over. There is a lot to do in terms of tidying in the garden but I don’t feel up to it. There is a trip to Norwich next week and it seems like a big ask. Being curled-up on the settee watching movies seems like a good plan.