Month: March 2019

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Preparing for Barcelona

Maps, more maps, tickets and a restaurant reservation.

My plans for the Barcelona trip centre around visiting parks and gardens, in addition to CCCB, MNAC, The Miro Foundation and whatever independent galleries may catch my eye. There is going to be a lot of walking! My reading about gardens should inform my observations while in Barcelona, in addition to some works of art that I have looked at for research.

Martin Boyce (TP 2011) who is interested in the psychological experience of space. This image interested me as a representation of ‘parks’ in the urban context. It will make me look out for key features, repeated ‘motifs’ if you like. BINS. SEATING. PLANTING. STRUCTURES. …….. what will I find that is common in the parks and gardens? What will make each one distinct?

It is interesting how the ‘trees’ connect to the ground and sort of have ‘roots’ in the earth in the way the light reflects in the floor. Pools of light may be something to consider to imply root systems and hartig net/ soil biome in my work.

from ‘Our Love is Like the Flowers, the Rain, the Sea and the Hours’ 2002 Martin Boyce born 1967 Purchased 2006 http://www.tate.org.uk/art/work/T12132
Jan & Joel Markel 1925. This image influenced Boyce. Apparently the concrete trees were cast at the last minute in order to replace real ones that died when the garden was planted-up for an exhibition in Paris. I think they are rather strange but perhaps visually interesting and they remind me that KT suggested working with concrete in FMP experiments. I shall keep this in mind.
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FMP PROPOSAL(tentatively)

Concept: A visual exploration of the effect that ‘place’ has upon thought and feeling (well-being). The driving questions are … How do places ‘communicate to us’ and impact upon our emotions, ideas and feelings? How might this be quantified? – particularly in a way that can inform #artsinhealth. What can visual artists learn of and express through a ‘language of place’ that can contribute to #artsinhealth?

The Artistic Challenge: To develop work through a contemporary lens on ‘the sublime’ that creates a sense of ‘silence’? ‘well-being’? and evaluate this.

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Writing a proposal. Part 3.

I sat with KT today and talked through ideas and inspirations so far, referencing Pecha Kucha, my research, and reading through a draft version of the Proposal documentation that I worked on over the weekend. Very helpful to focus on what might constitute a more contemporary lens on the sublime and to hone research question language in my draft proposal.

We discussed this work by Olafur Eliasson in relation to the contemporary sublime, in addition to Ai Weiwei’s ‘Tree’ below.

A CONTEMPORARY TAKE ON THE SUBLIME!

Can I please pitch for The Turbine Hall for my FMP ?